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Fish Hook as Metaphor: Yoan Capote’s Palangre

The solo show in New York - an interview

Earlier this week, we dropped in on the installation of Yoan Capote: Palangre, an exhibition of recent paintings embedded with thousands of fish hooks. The show features two series: Isla, a series of seascapes, and the more abstract Palangre—the Spanish term for a trawl line hung with hundreds of fish hooks. Capote walked through the show with us, in a conversation that ranged from Romantic painters to Cubans’ relationship to the sea.

Capote
Yoan Capote, Isla (Pérdida), 2016, Courtesy Yoan Capote and Jack Shainman Gallery

You’ve been doing these fish hook paintings for a while. When did you start?

I think it was around 2006. I did the [first] major pieces in 2010. But the idea of working with fish hooks and making paintings of the sea—all of that was very old, from the time I was a student.

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