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10 QUESTIONS FOR MIGUEL ANGEL MOYA

PAINTING THE FIGURE NOW at WAUSAU MUSEUM OF CONTEMPORARY ART

MIGUEL ANGEL MOYA was born in Valencia in 1970. He began his Fine Arts degree at the Facultad Politécnica de Valencia in the late 80s, giving up two years later, disappointed by the method of teaching at the Faculty. Around the same time he met the realistic painter Francisco Ugeda, in whose workshop he learned the technical fundamentals of painting. In 1992 he has his first exhibition in Denia, Spain. Moya also studied the Violin receiving an advanced degree in the discipline. He combined painting with his work as a musician for years, but left the violin in 2002 to fully focus on his career as a painter. Since then, Moya has exhibited his work across Europe, United States and China. In 2008 he has his first solo exhibition in Madrid (Santiago Echeberría Gallery) in 2011 he had a solo exhibition in New York.

Matt Talbert

Matt Talbert is a contemporary oil painter living in Orange County, California.  He is named one of the „Top 100 Figurative Artist Working Now“ by PoetsArtists Magazine.  Matt’s primary focus is expressive paintings of the human figure exhibited in galleries such as Arcadia Contemporary in California. While he grew up at the beach, he attributes much of his artistic development to his years spent in New York City. Working in the basement of the famous Pearl art store on Canal street and meeting a wide range of artists from all disciplines was indispensable. He has recently been featured in the pages of American Art CollectorPoetsArtists and International Artist Magazine. Matt earned his BFA from the Laguna College of Art and Design and is a member of the Portrait Society of America.

 

Desire.jpg
Desire 20×18 inches oil on linen

Desire is a fruitful exercise in restraint and minimalism, in that the tightly cropped and beautifully depicted imagery leaps out from the unpainted background. Thoughtful, well-placed brushstrokes capture an exalted yet fleeting sense of realism while waning impasto and seemingly haphazard drips gradually invade the bare support, enhancing its captivating contemporary look.

Élisabeth Louise Vigée Le Brun

‘Self Portrait of Élisabeth Louise Vigée Le Brun’ [1790], Oil on canvas, 100 x 81 cm

The ‘Self Portrait of Élisabeth Louise Vigée Le Brun‘ [1790] shown above is delicate, forceful and gracefully timid of pose.  The feathery handling of hair, elaborate white-cream fabrics and curious pose whilst looking to the mirror extols her professionalism.

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