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La Gioconda in an extraordinary adaptation · Kazan, Russia · Photo by Gerhard Guffler
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Shared art - Elevator door in Hotel Lebua at the State Tower, Bangkok, Thailand.
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Experts. National Museum of China in Beijing. Photo by Gerhard Guffler
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The german Masterpainter Philipp Weber in New York City
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Spectacular location: The Thyssen-Bornemisza Museum in Madrid, Spain
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Preparing for the photoshooting - young model in Seoul, South Korea
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Art that lives. Spanish children in front of a work of the master Antonio Castello Avilleira. Photo by Martin Llamedo
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Ad Reinhardt: Blue Paintings - David Zwirner Gallery, New York City
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Art, well-dosed. Devotional items at the Guggenheim Museum in Bilbao.
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Contemporary Art at the National Museum of China in Beijing
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Street Art. Bordeaux/France. New harbour area. Photo by Nyx
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Fantastic multi-media presentation by TeamLab (Japan) at Pace Gallery in Beijing · Photo by Erik Olsson
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The triple Helnwein. Discovered at Modernism, San Francisco · Photo by Jon Kim
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Hidden view to North Korea? Youngeun Museum - Gyeonggi-do, South Korea. Photo by Takashi Moto
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Exciting neighborhood: street art and commerce - discovered in Santa Cruz de Tenerife.
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Escape · Fondation Maeght · Photo by Takashi Moto
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Discovery in a gallery in Stockholm: The daughter of the famous ceramist Leo Grilli from Gubbio, Umbria.
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Impressive typography in Seoul-Jikhalsi, South Korea · Photo by Takashi Moto
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In search of identity. Detail of Alexander Timofeev "Beginning" · Oil on canvas, 100 x 100 cm, 2015.
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What does Marylin think? Impression from the Halcyon Gallery, London
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A wedge? Outstanding architecture! The new area in the Hermitage. Photo by Takashi Moto.
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Grandiose swing: Church of St. Michael, Hamburg. Photo by Gerhard Guffler.
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Sculpture of sitting men, France. Photo by Anja Helmchen.
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Lively streets in New York City. Photo by Mick Rogers.
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Accord. Städel-Museum, Frankfurt/Germany · Photo by Takashi Moto
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The truck. Christmas. New York City. Photo by Vince Ryan
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Currently out of Malaga/Spain: masterful sensitive drawing of the artist Aurelio Rodriguez Lopez.
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West meets east. Shopping in Guangdong, South Korea. Photo by Kwon KyungYep
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A touristic reminiscent of a great artist. Discovered at Central Park in New York City. Photo by Danielle Lemond
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Re-use: Work aid for the German painter Philipp Weber. Photo: Johannes Mencke
image of the week

Inner Space (The Book)

We present Inner Space, an essay we have written in connection to the curatorship of the homonymous exhibition at the 2019 Lisbon TriennaleInner Space is part of broader research that we are conducting for a few years through this website, our practice and teaching activity. We have defined Socks as “a nonlinear journey through faraway territories of human imagination”, and we wrote Inner Space to dig further into this expression, to try and understand what imagination, – specifically architectural imagination -, is and how it can take the form of an inhabitable territory. This attempt takes inspiration from the surrealist trope of turning mental realms into actual landscapes and from mnemonic techniques aimed at spatializing mental processes, like the “art of memory”.

Tabish Khan “the people’s art critic”

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Tabish Khan

Tabish Khan is a London based art critic, who visits and writes about hundreds of exhibitions a year from the established galleries to the emerging art scene.

I am among his many followers of his adventures on Instagram (@londonartcritic) and enjoy reading his articles both on Londonist and FAD Magazine.

His path demonstrates that passion and curiosity can go a long way. He studied sciences and came to art later in life. He learnt about art by visiting art shows and learning little by little. This got him to be referred to as ‘the people’s art critic’ by his colleagues at Londonist and he shares that “I can observe, critique and write about the art world with one foot firmly outside it”. Tabish is a true supporter of artists through his writings and as a trustee of ArtCan, a non-profit arts organisation that supports artists through profile raising activities and exhibitions. He is now frequently solicited to be a judge for art prizes such as the Curious Duke Gallery Secret Art Prize or Art Rooms.

Recently, I had the chance to be invited by Repaint History to a webinar where Tabish was a guest speaker, sharing tips with emerging artists. I reached out to him and I’m grateful he agreed to share with me about his path and views on the art world in general and the role of an art critic.

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